This will help our amp envelope’s quick Release sound more natural.Ĭhorus: Light and slow, to create some movement, make it less static. Then bump up the key tracking so the sound gets brighter as you play higher.įilter Envelope: Max Sustain, with a short Release, and just a bit of modulation amount. Boost the res a bit to give it a slight nasal-ness. Turn the cutoff down until you get the desired roundness. Set a quick Release, so that the note cuts off quickly when we let go of the key, but in a natural non-abrupt way.įilter: Lowpass. Altogether this will create a soft- air-blown attack transient. Bring the Sustain down a bit and set a quick Decay. Layer in a bit of white noise to give it that airy woodwind sound.Īmp Envelope: Very short Attack so that it swells in quickly. Oscillator: Pulse wave, with the Pulse Width just shy of full square. Now we’ll be able to hear the filter envelope movement before it gets cutoff by the amp envelope. Then set the ADSR settings to match the Amp Envelope, EXCEPT make the Decay and Release a little bit faster, say around 300 ms. Turn up the Mod Amount until you get that really bright sound back. Then…įilter Envelope: We’ll use this to make it bright again. Add a bit of resonance to give to make it stand out a bit. In preparation for the Filter Envelope, turn the Cutoff down pretty low to make it really round (see 1:24 to hear a round version of this sound to get a better idea of how round it should be). You don’t want a lot of movement from the Unison, so keep the Detune pretty low.Īmp Envelope: to create the pluck shape set the Sustain to 0, and both Decay and Release to around 450 ms.įilter: Low Pass. This will give you that metallic flavor, but by not going full square you’ll also get a bit of sizzle for high-end bite. Oscillator: Pulse Wave, with the Pulse Width just shy of full square.
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